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Reading: ‘Irumudi’ Review: Shiva Nirvana and Ravi Teja Deliver an Emotionally Steeped Tale
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gtbtoday.com > Blog > REVIEW > ‘Irumudi’ Review: Shiva Nirvana and Ravi Teja Deliver an Emotionally Steeped Tale
REVIEW

‘Irumudi’ Review: Shiva Nirvana and Ravi Teja Deliver an Emotionally Steeped Tale

GTB TEAM
Last updated: August 23, 2026 9:44 PM
GTB TEAM 3 Min Read
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Hyderabad, India – Shiva Nirvana’s Irumudi is an emotionally steeped tale that tackles the sensitive issue of empowering daughters to speak up. The Telugu film, starring Ravi Teja and child actor Nakshatra, contrasts the approaches of two fathers: one who tells his daughter that fear is the best safety armour, and another who encourages her to be transparent. The film, which marks the return of Shiva Nirvana and Ravi Teja to form, is set in a village in Andhra Pradesh where bus connectivity is a luxury and parents worry about sending their children to high school. The narrative, which maintains a sense of foreboding from the start, is anchored by the father-daughter bond.

The plot follows Trinath (Ravi Teja), a small-time trader who takes to the bottle except during the 41-day Ayyappa deeksha. He considers every girl child in the village his own and will stand up for them, a stark contrast to his family friend Guru ‘swamy’ (Sai Kumar). As danger closes in on his daughter Manemma (Nakshatra) and her schoolmates, the film becomes a story of threat, retaliation, and spiritual fervour. The director sidesteps voyeuristic portrayals of sexual assault, and the perpetrators are not the usual suspects, adding a layer of intrigue. The emotionally resonant storytelling exposes the vulnerability of a girl child and her parents, making the heartbreak, guilt, and anger feel palpable.

Ravi Teja delivers one of his most sincere performances in years, mostly restrained and without mass action quirks. Child actor Nakshatra is the soul of the film, with an innocent and effective portrayal. Priya Bhavani Shankar makes her presence felt with a sincere turn, while Sai Kumar delivers a nuanced performance. GV Prakash Kumar’s music adds credence to the Ayyappa deeksha portions and conveys the sense of danger. However, the narrative suffers from the absence of law enforcement authorities and the single-note characterisation of the sinister teacher. Despite these drawbacks and occasional missteps, Irumudi emerges as an emotionally moving drama that is hard to look away from.

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